Celerity

Designer: Cameron Sweeney

$120.00


  • Celerity preview
  • Celerity design feature
  • Celerity font features

Client:
Self-commissioned.
Font Weights:
medium, medium oblique, semibold, semibold oblique, bold, bold oblique, extrabold, extrabold oblique, heavy and heavy oblique.
Date:
Originally released in 2002, re-released in '06 and '09
Preview:

Celerity is a realist font, its forms are clean, a sans serif font, with a modern approach. Its oblique variants offer a higher degree of slant than most giving it a further impression of being the streamlined beauty that it is.
Use Celerity for any project that you wish. Please, do not redistribute the font, but feel free to link to this page.

About the font

Celerity features a broad character set, the largest of any of our fonts. It is uniquely modern and simplistic. The stroke has a slight variation in it’s width, large enough to be recognised at lower resolutions or size, yet the variation is not a distraction like many fonts – especially from the 1980’s.


OpenType features include

  1. Weights 10 weights containing 625 characters in each weight!
  2. Characters Over 6200 characters in the family! Upper & lower case letters, title letters, numbers and old style numbers.
  3. Ligatures (38) ae, oe, ffi, ffl, ff, ffj, fj, tl, ct, fb, ffb, longsb, fh, ffh, longsh, fk, ffk, longsk, ki, ta, to, ti, fr, ft, fo, fu, te, tu, ka, ke, ko, ku. AE, OE, LT, QT, IJ, Th.
  4. KerningCelerity has been comprehensively kerned. All of our fonts have been manually kerned for clarity.
  5. Diacritics All of our fonts feature diacritics, for example our lowercase a character contains the following:
    à, á, â, ä, ã, ą, ā, ă, ȧ etc.
  6. Character Support. MacOS Roman, Adobe Standard Encoding, Windows Western (ANSI) & ISO 8859 Latin compatible to name a few..


Purchase Celerity


If you need assistance installing one of our fonts, try the help section, or contact us.

About the Author

Cameron Sweeney is a freelance type, web and graphic designer from Hobart, Australia.



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